| Author |
Article and Issue
|
| AARON, Daniel |
Theodore Roosevelt as Cultural Artifact (V9, No.3) A Variety of Religious Experience (review-essay) (V12, No.2) Nixon As Literary Artifact (V15, No.2) |
| ABRAHAMS, Roger D. | Pros and Players (V3, No.4) |
| ACOCELLA, Joan and Lynn GARAFOLA | Andre Levinson and the Making
of a Classical Dance Esthetic (V10, No.4) |
|
ADORNO, Theodor |
Late Style in Beethoven (V13, No.1) |
|
AGNEW, Jean-Christophe |
Henry James and Company (review-essay) (V13, No.1) |
| ALBRECHT, James |
Emerson on Fire (review-essay) (V15, No.3) |
| ALLEN, Danielle | Ralph Ellison on the Tragicomedy of Citizenship (V23, No.3) |
| ALLEN, Dick | Three Poems (V20, No. 4) |
|
AMMONS, A. R. |
Four Poems (V4, No.1) |
| ANDERSON, Daniel |
Two Poems (V16, No.4) |
| ANDERSON, Mark | Notes on Thomas Bernhard (V7, No.1) |
| APPLEWHITE, James |
A Visit with V. S. Naipaul (V10, No.1) |
|
ARDITI, Neil |
Shelley's "Adonais" and the Literary Canon (V17, No.1) |
|
ARMSTRONG, Carol |
Warriors, Bachelors, Artists, and Other Women (essay-review) |
| ARVIO, Sarah | Three Poems (V20, No. 4) |
| ASHBERY, John | The Blessed Way Out (poetry) (V22, No.2) |
| ASHTON, Dore | Was this Angel Necessary? (V23, No.3) |
| ASHWORTH, John |
Via Verrocchio 30 (fiction) (V15, No.2) |
| AYTÜR, Ünal | Translation of Levent Yilmaz's To Say (poetry) (V22, No. 2) |
|
AZEVEDO, Neil |
Two Poems (V19, No.3) |
| Author |
Article and Issue
|
|
Romanticism (poetry) (V18, no. 3) Three Poems (V20, no. 2) |
|
| BAKKEN, Christopher - The World Reduced to One Thing (poetry) (V22, No. 4) | |
|
BAMBER, Linda |
Crabapple, and Difficulty (poetry) (V18, no.2) |
|
BANN, Stephen |
Greenberg's Team (review-essay) (V13, No.4) |
|
BARBER, Benjamin |
Politics of Judgment (review-essay) (V5, No.2) |
| BARENBOIM, Daniel and Edward Said |
A Conversation (V18, No.1) |
|
BARKAN, Leonard |
Rome's Other Population (V11, No.2) |
|
BARNEY, Natalie |
Isola di Capri (poetry) (V16, No.2) |
|
BARSZCZ, James |
What Happened to Hawthorne? Metaphor versus Narrative in the Unfinished Romances (V12, No.4) |
| BARTH, Jack | pwip pwip pwid pwid pwidwidrdrdrdrdr (drawings) (V22, No. 4) |
| BATAILLE, Georges |
The Notion of Expenditure (V3, No. 3) |
|
BECKER, Alton L. |
Goffman's Animated Language Game (V3, No.4) |
| BECKER, Priscilla | Three Poems (V20, No. 4) |
|
BELL, Millicent |
Henry James (V4, No.2) Narrative Gaps/Narrative Meaning (V6, No.1) On Venice (review-essay) (V13, No.4) Auguste Rodin (V14, No.4) "The Pupil" and the Unmentionable Subject (V16, No.3) Sargent and James (V18, no.3) Shakespeare's Moor (V21, No. 4) |
| BENFEY, Christopher |
The Wildness of David Ferry (review-essay) (V20, no. 1) |
| BERGER, Charles |
Poetry Chronicle: Dan Pagis and Robert Hass (V10, No.1) Poetry Chronicle: Amy Clampitt, Louise Gluck, Mark Strand Poetry Chronicle: John Ashbery (V11, No.4) Poetry Chronicle: Thom Gunn The Man with Night Sweats (I) Auden in Time of War (V17, No.2) |
| BERGMAN, David |
Four Poems (V4, No.4) A Poem (V6, No.2) F. O. Matthiessen: The Critic As Homosexual (V9, No.4) Something about Eve: Eve Kosofsky Sedgwick's Closet Drama (review-essay) (V11, No.1) Thom Gunn: The Man with Night Sweats (I) (V13, No.2) |
|
BERNHEIMER, Charles |
Of Whores and Sewers (V6, No.3) |
| BERNSTEIN, Michael André |
Against Apocolyptic History (V13, No.1) Representation and Its Discontents (V1, No.1) Theory and Violence (V3, No.1) Pedagogy and Pederasty (V5, No.1) Against Ulysses (V8, No.2) |
| BERSANI, Leo | Can Sex Make Us Happy? (V21, No. 4) |
| BERSANI, Leo and Ulysse DUTOIT | Beckett's Sociability (V12, No.1) |
| BHARUCHA, Rustom |
Forster's Friends (V5, No.4) |
| BIDART, Frank | Two Poems (V20, No. 4) |
|
BILGRAMI, Akeel |
The Idea of India (review-essay) (V18, no.3) Gandhi's Integrity (V21, No. 2) |
|
BISHOP, Tom |
Amores (poetry) (V19, No.3) |
|
BLAIR, John G. |
China and Democracy (V9, No.3) |
|
BLAU, Herbert |
New Music and Theater (V8, No.2) |
| BLOOM, Harold |
Agon: Revisionism and Critical Personality (V1, No.1) Facticity (V3, No.3) The Epic Hero (V6, No.1) Reflections on T. S. Eliot (V8, No.2) Feminism As the Love of Reading (V14, No.2) |
| BLY, Robert | Poem (V21, No. 1) |
| BOON, James A. | America: Fringe Benefits (review-essay) (V2, No.4) |
| BOUDIN, Michael |
Truth and Consequences (review-essay) (V4, No.3) Law of Evidence, Science of Proof (review-essay) (V7, No.1) |
|
BOWERS, Edgar |
Four Poems (V8, No.2) Three Poems (V9, No.1) |
|
BOWIE, Malcolm |
Freud in the Future (review-essay) (V13, No.1) What Is Literature? (review-essay) (V19, No.2) |
|
BOYERS, Peg |
Letter to Visconti from Natalia Ginzburg (poetry) (V19, No.1) |
| BOYERS, Robert | Thinking about Evil (V23, No.2) |
| BRADBURY, Steve | Three Poems from the Chinese of Du Fu (Translation) (V22, No. 4) |
| BRADEN, Gordon |
Greenblatt's Trajectory (review-essay) (V13, No.1) |
| BRAUDY, Leo |
On Jesus (V1, No.3) Ceremonies of Innocence (V13, No.4) |
| BRAY, Paul | Emily Dickinson (V12, No.1) |
|
BROMBERT, Victor |
Max Frisch: The Courage of Failure (V13, No.2) Dostoevsky's Underground Man: Portrait of the Paradoxalist |
|
BROMWICH, David |
Disinterestedness (V1, No.4) Edward Thomas and Modernism (V3, No.1) Elizabeth Bishop (V4, No.1) John Ashbery (V5, No.4) (Rothman Salazar) Historicizing Phrenology: Wordsworth, Pynchon, and
the Discursive Economy of the Cranial Text The French Revolution and "Tintern Abbey" (V10, No.3) Higher Education and Group Thinking (V11, No.1) Revolutionary Justice and Wordsworth's Borderers Free Speech (review-essay) (V14, No.1) A Note on the Romantic Self (V14. No.4) Anti-Intellectualism (V16, No.1) The Sublime before Aesthetics and Politics (V16, No.4) Lincoln’s Constitutional Necessity (V20, No. 3) The American Psychosis (V21, No. 4) |
|
BROWN, Lee Rust |
Emersonian Transparency (V9, No.3) |
|
BURT, John |
Romance, Character, and the Bounds of Sense (I) (V5, No.2) Romance, Character, and the Bounds of Sense (II) (V5, No.3) Tyranny and Faction in the Federalist Papers (V13, No.2) John Rawls and the Moral Vocation of Liberalism (review-essay) (V14, No.1) W. S. Merwin’s The Folding Cliffs (review-essay) Lincoln, Calhoun, and Cultural Politics (review-essay) |
| BUZARD, James |
Eliot, Pound, and Expatriate Authority (V13, No.3) BUZARD, James - Home Ec. with Mrs. Beeton |
| Author |
Article and Issue
|
|
Drifting through the MLA (V10, No.2) |
|
| CAMPION, Peter | David Ferry's Epistles of Horace (review-essay) (V21, No. 1) |
| CANADAY, John |
Impostors (poetry) (V20, no. 1) Two Poems (V21, No. 3) |
| CANTOR, Jay |
On Stanley Cavell (V1, No.1) Isle of Pines, 1968 (fiction) (V2, No.4) The Possessed (fiction) (V7, No.1) |
| CAPPELLO, Mary | Moscow 9/11 (V22, No. 1) |
| CARNEY, Raymond |
Kael, Kauffmann, Sarris (V1, No.2) |
|
CARROLL, Noel |
A New Theory of Pictures (review-essay) (V6, No.1) Illusions of Postmodernism (review-essay) (V7, No.2) |
| CARROLLHACH, Haley | By the Time They Started First Grade (fiction) (V23, No. 1) |
|
CARSON, Anne |
Mimnermos: Poems an Essay, an Interview (V11, No.3) The Glass Essay (poetry) (V13, No.3) Red Meat: What Difference Did Stesichoros Make? TV Men: Hektor (Poetry) (V15, No.2) TV Men: Tolstoy (poetry) (V15, No.4) Ice Blink (poetry) (V16, No.3) Hopper Confessions (poetry) (V17, no.4) Essay on What I Think About Most, Essay on Error (poetry) Two Poems (V21, No. 4) |
|
CARTON, Evan |
Henry James the Critic (review-essay) (V5, No.3) American Literary Histories as Social Practice (review-essay) (V8, No.3) Two Faces of American Pragmatism (review-essay) |
| CARTON, Evan and Janice Bergman-Carton | James Agee and Walker Evans: Tenants in the House of Art (review-essay) (V20, No. 4) |
|
CASARINO, Cesare |
David Wojnarowicz, AIDS, and the Cinemartic Imperataive (V20, No. 4) |
|
CASERIO, Robert L. |
Auden's New Citizenship (V17, No.2) |
| CAVELL, Stanley |
Emerson, Coleridge, Kant (V3, No.2) What Photography Calls Thinking (V4, No.4) Macbeth Appalled (I) (V12, No.2) Macbeth Appalled (II) (V12, No.3) |
| CAWS, Mary Ann | What Can a Woman Do for the
Late Henry James? (V14, No.1) |
| CHIASSON, Dan | Presence: Frank Bidart (V20, No. 4)
Him Again: John Ashbery (review-essay) (V21, No. 2) |
| CHRISTOPHER, Peter |
Killing-Floor Hunger (Fiction) (V14, No.4) |
| CLARVOE, Jennifer | Two Poems (V21, No. 1) |
|
CLAYTON, Jay |
Concealed Circuits: Frankenstein's Monster, the Medusa, |
| CLUNAS, Alex |
Composing in Transit (V13, No.4) Rome and a Villa (review-essay) (V15, No.4) |
|
COETZEE, J. M. |
Breytenbach and the Censor (V10, No.4) |
| COHEN, Paula Marantz |
Thoughts on the Centennial of Fred Astaire (V20, no. 1) Sargent's Wertheimer Portraits (V21, No. 2) |
|
COHEN, Ted |
Some Philosophy: I (A Thesis) (V10, No.2) Some Philosophy: II (A Story) (V10, No.2) |
| COLES, Robert |
Dorothea Lange: The Politics of Photography (V1, No.2) On James Agee (V3, No.1) William Carlos Williams (V6, No.3) A Fresh Look at Psychoanalysis (review-essay) (V13, No.3) Darwin, Freud, and Adam Phllips (essay-review) (V19, No.4) |
|
COLLINI, Stefan |
Before Another Tribunal: The Idea of the "Nonspecialist Public" (V19, No.1) |
| COMANN, Brad | Last Making (V23, No.3) |
|
CONNOLLY, William |
Mirror of America (V3, No.1) Democracy's Discontents (review-essay) (V16, No.2) |
| CONTI, Gregory | Translation of Mario Rigoni Stern's Giacomo's Seasons (fiction)
(V22, No. 1)
Translation of Rosetta Loy's Hot Chocolate at Hanselmann's (fiction) (V22, No. 3) |
| CORN, Alfred |
Cavafy and Alexandrianism (V5, No.2) The Bonfire (poetry) (V15, No.1) New York Three Decades On (poetry) (V19, No.2) |
| COSTELLO, Bonnie | Ammons: Pilgrim, Sage, Ordinary Man (V21, No. 3) |
| COULETTE, Henri |
Eight Poems (V10, No. 2) |
|
COX, Stephen |
The Devil's Reading List (V16, No.2) |
| CRASE, Douglas |
On Lorine Niedecker (V12, No.2) |
| CRESWELL, Robyn | On Frederick Seidel (review-essay) (V21, No. 2)
Painting and Privacy: On Anthony Hecht (review-essay) |
| CUSHMAN, Stephen | Diet (poetry) (V15, No.3) |
| Author |
Article and Issue
|
| DARNTON, Robert | How Historians Play God (V22, No. 1) |
| DASENBROCK, Reed Way |
Fredric Jameson and the Dilemmas of Late Marxism |
| DAVIS, Natalie Zemon | Trumbo and Kubrick Argue History (V22, No. 1) |
| DAYAN, Joan |
Caribbean Cannibals and Whores (V9, No.2) Vodoun, or the Voice of the Gods (V10, No.3) |
| DEAN, Tim |
On the Eve of a Queer Future (review-essay) (V15, No.1) Sex and Syncope (V15, No.3) |
| DEEN, Rosemary |
Four Excursions (V14, No.2) Further Excursions (V15, No.4) |
|
DE KOVEN, Marianne |
Modern Mass to Postmodern Popular in Barthes's Mythologies (V18, no.2) |
|
DELBANCO, Andrew |
Melville's Sacramental Style (V12, No.3) On Newton Arvin (review-essay) (V21, No. 4) |
| DENNETT,
Daniel C., HUMPHREY, Nicholas |
Multiple Personalities (V9, No.1) |
|
DERESIEWICZ, Willam |
Lord Jim and the Transformation of Community (V20, no.2) |
| DESCOMBES, Vincent | Is There a Politics of Authenticity?
(review-essay) (V13, No.4) |
|
DICKSTEIN, Morris |
Ralph Ellison, Race, and American Culture (V18, no.4) |
| DIGGINS, John Patrick |
Gramsci and the Intellectuals (V9, No.2) "The Secret of the Soul": Eugene O’Neill’s The Iceman Cometh (V19, No.1) |
| DILLARD, Annie |
Sand and Clouds (V18, no.2) |
| DILLON, Millicent |
Tracing Paul Bowles (V17, No.3) |
| DIMOCK, Wai-Chee |
Melville's Empire (V7, No.2) The Economy of Pain: The Case of the Howells (V9, NO.4) |
| DOBBS, Kevin | Table Fifteen (fiction) (V23, No.3) |
| DOLAN, Neal | Shylock in Love: Economic Metaphors in Shakespeare's Sonnets (V22, No. 2) |
| DOLVEN, Jeff | Spenser's Sense of Poetic Justice (V21, No. 1) |
|
DONOGHUE, Denis |
Leavis and Eliot (V1, No.1) Owning Literature (review-essay) (V4, No.4) Reading Bakhtin (review-essay) (V5, No.2) Shakespeare in the Sonnets (review-essay) (V6, No.1) |
|
DOODY, Margaret Anne |
Finales, Apocalyses, Trailings-Off (V15, No.3) Nuttall and Gnosticism (review-essay) (V20, no.2) |
|
DOUGLAS, Ann |
The Failure of the New York Intellectuals (V17, No.4) |
| DOWLING, Linda |
Esthetes and Effeminati (V12, No.3) Ruskin’s Mad Againe (review-essay) (V20, No. 3) |
| DREYFUS, Hubert L. |
Expert Systems (V3, No.4) |
| DRURY, Annmarie |
Three Poems (V19, No.2) Four Poems (V20, No. 2) |
| DYDO, Ulla | Gertrude Stein in 1928 (V7, No.1) |
| [To Top] | |
| Author |
Article and Issue
|
|
The Economy of Interpretation: When Will the Recession End? (review-essay) (V12, No.4) |
|
|
EDMUNDS, Lowell |
Choosing your Names (V11, No.3) |
| EDMUNDSON, Mark |
Emerson and the Work of Melancholia (V6, No.4) Criticism Now: The Example of Wordsworth (review-essay) Lasch's Jeremiad (review-essay) (V11, No.2) James Dickey: Learning from Others (V15. No3) Teaching the Truths (V23, No. 1) |
| EDWARDS, Thomas R. |
Popular Culture & Intellectual Pastoral (V1, No.1) Trying to Hate TV (review-essay) (V6, No.1) Embarrassed by Jane Austen (V7, No.1) P. G. Wodehouse (V7, No.4) The O'Brian Touch (review-essay) (V16, No.1) Oprah's Choice (review-essay) (V21, No. 4) |
|
ELLISON, Julie |
Aggressive Allegory (V3, No.3) |
|
ELMAN, Richard |
Falta Nada (fiction) (V13, No.3) |
| EPSTEIN, Andrew | Frank O’Hara’s Translation Game (V19, No.3) |
|
ESCOFFIER, Jeffrey |
Balanchine Noir: The Four Temperaments |
|
EWART, Gavin |
Renaissance Man (review-essay) (V12, No.1) |
| Author |
Article and Issue
|
| FELDMAN, Irving |
Kiss and Tell (Poetry) (V14, No.1) Of This and That, and the Other, and the Fall of Man (poetry) Words out of Place (poetry) (V17, no.4) |
| FARRELL, Mark | Photograph of Ted Williams,
Collier's Encyclopedia (poetry ) (V23, No.1) |
|
FERRY, ANNE |
The Anthologizing of Elizabeth Bishop (V19, No.3) Revisions of Visions: Wordsworth and His Inheritors |
|
FERRY, David |
Two Poems (V2, No.4) Two Poems (V5, No.4) Three Poems (V7, No.1) A Poem and Two Translations (V11, No.1) From the Gilgamesh Epic The Death of Enkidu (V11, No.4) Mary in Old Age (A Poem) (V12, No.2) When We Were Children (poetry) (V13, No.1) Six Translations of Horace (V14, No.3) What's Playing Tonight (poetry) (V15, No.1) Two Translations of Horace (poetry) (V16, No.1) Three Poems (V18, no.1) Two Translations (V18, no.4) A Translation of Virgil (V20, No. 4) Narcissus (poetry) (V21, No. 4) Measure 100 (poetry) (V23, No.2) |
|
FIELD, Edward |
Tea at Paul Bowles's (V12, No.3) |
|
FISH, Stanley |
Critical Legal Studies I (V7, No.2) Critical Legal Studies II (V7, No.3) |
| FISHER, Philip |
Thinking about Killing: Hamlet and the Path Among the Passions (V11, No.1) The Aesthetics of Fear (V18, no.1) |
|
FLEISCHACKER, Samuel |
Frustrated Contracts, Poetry, and Truth (V13, No.4) |
|
FLETCHER, Angus |
Whitman and Longfellow: Two Types of the American Poet (V10, No.4) |
|
FOGEL, Aaron |
Population and Poetry (V1, No.4) |
| FORTUNA, M. | Ice Dash (painting) (V23, No.3) |
| FOSTER, Hal | Semblance According to Gerhard Richter (V22, No. 3) |
| FOUCAULT, Michel | Final Interview (V5, No.1) |
| FOX, Michael | Rise and Shine (Fiction) (V12, No.1) |
| FOX, Richard Wightman | Jefferson, Emerson, and Jesus (V22, No. 2) |
|
FRANKFURT, Harry |
On Bullshit (V6, No.2) |
| FRASER, Steve | Toward a Cultural History of Wall Street (V22, No. 3) |
|
FREEDMAN, Jonathan |
Modernism's Libido (review-essay) (V18, no.4) How Now, Middlebrow? (review-essay) (V20, No. 3) |
| FRIED, Michael | Two Poems (V21, No. 1) |
| FRIEDMAN, Alan H. |
The French Lesson (V9, No.3) Poetry (V14, No.2) |
|
FROW, John |
Foucault and Derrida (V5, No.1) |
|
FRY, Paul H. |
The Image of Walter Benjamin (review-essay) (V2, No.4) |
|
FURBANK, P. N. |
Diderot's Dream (V11, No.1) Poverty and Compassion (review-essay) (V12, No.1) On the Historical Novel (V23, No.3) |
| [To Top] | |